In early 2019, an East Carolina University student, Jacquelyn Hewett, studied one of the figureheads in our Collection for her American Maritime Material Culture history class. The information she uncovered was enlightening and indicated that a change in the attribution of ship name was in order. While confirming her research, I uncovered the story of a wonderfully awesome woman I thought I would share with you!

WAVES fulfilled various positions and worked at Naval bases across the US, ranging from yeoman to chauffeur, baker to pharmacist, and artist to aircraft mechanic. Most WAVES worked in naval aviation units–maintaining aircraft, testing parachutes, and working as domestic air traffic controllers or weather specialists.

While the military at this time was officially against allowing LGBTQ+ identifying people into the military, they also were desperate for more service members. So in some ways, there was a similar mentality to the “don’t ask, don’t tell” policy of the 1990s and 2000s.

While the Women’s Army Corps was founded on May 15, 1942 (then the Women’s Army Auxiliary Corps) they did not recruit women living in Hawaii until October of 1944. This was because Hawaii was technically still a territory, and did not become a state until 1959.

A square painting filled to bursting with spectacular color and energy hangs on a rack in painting storage. Every time I pass this rack, it catches my eye and I say to myself “I need to wait on this one”. But these pieces have a special way of working themselves into my head and so on a gloomy late winter day I decided it was time.

A little over 20 years after its last major treatment, Conquering the Wild was due for a day at the spa.

While I was looking for information on a different painting, I saw this one of Anna Vaughn Hyatt (later to be Huntington). I was enamored with it and when I discovered the artist behind this painting, Marion Boyd Allen, is female, I might have done a little happy dance.