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A mariner, through and through, the artist John Alexander Noble (1913-1983) devoted his life's work to the capture of scenes of mariners at sea, shipping, salvage, and decay. But of all of the ships he captured, in various phases of their life and death, it was the Spanish Bark, Guadalhorce, that he seemed to favor above all others.
In this edition of Beyond the Frame, we'll explore Samuel Ward Stanton's narrative dual-ship portrait from 1909 featuring steamships Trojan and Rensselaer as the ships steam along the Hudson River under the light of a full moon. Explore the influences of the passionate artist's life and learn about the "Searchlight route" as we step into this scene in the summer of 1909.
We're familiar with aircraft pilots, but did you know that ships have pilots too? In this special episode of Beyond the Frame, we take a peek into the career of ship pilots as told through Former Maryland Pilot and Artist Captain Brian Hope's work, Boarding a Liberty ship - 1947.
In this edition of Beyond the Frame, we explore a work showing an early America's Cup match race in New York harbor by beloved maritime artist, James Edward Buttersworth (British-American 1817-1894). The story we thought it depicted, however, is not correct. Read on to discover the truth behind this painting, including an exclusive interview with Curator of Maritime History and Culture and Director of the Ifland Center for Exploration, Jeanne Willoz-Egnor.
In this edition of Beyond the Frame, we explore the emotionally complex act of waiting - especially for the return of a loved one. In the painting we see a women and child standing on a cobblestone walkway looking out to see. How long have they stood here waiting? Who are they waiting for? Will they ever return?
Robert Turner Ewell, a Coast Guard Veteran, a Shipbuilder, and a Norfolk, VA native was one who was inspired by the story of USS Monitor. In this episode of Beyond the Frame we'll explore the ways in which USS Monitor's story met aspects of Ewell's life and led him to create a work depicting the Ironclad in a style that is purely his own.
In Frank Vining Smith's ca 1900-40 oil painting, The Wild Gulf Stream, we explore the artist's muse and his inspirations through his depiction of a singular large wave that fills his grand canvas. His life led him to the waters' edge time and time again, and in this blog we explore what it is about a wave that calls us, too.
This stunning portrait of a blue-collar, immigrant fisherman takes us on a voyage of “why’s” and “why not’s” that brings us back to the heart of our mission here at The Mariners’.
