Artifacts are more than the sum of their parts. Rather than seeing artifacts as just things, we should instead see them as silent storytellers, enlightening whoever may listen with tales of their making, their application, and their eventual retirement from use.

What our eyes and minds understand – at a distance- as literal, changes with each approaching step we take. What was the solid form of a fisherman in his boat, dissolves into thousands and thousands of fractals of light and color.

At The Mariners’ Museum and Park, we believe that we are all connected by the water and by our shared maritime heritage. And through that connection, we are every one of us, mariners. That’s what we say. I’ll be honest with you, though. I didn’t really feel that.

Set your eyes on action images that transformed early 20th century photography.

In early 2019, an East Carolina University student, Jacquelyn Hewett, studied one of the figureheads in our Collection for her American Maritime Material Culture history class. The information she uncovered was enlightening and indicated that a change in the attribution of ship name was in order. While confirming her research, I uncovered the story of a wonderfully awesome woman I thought I would share with you!

Just as the smoke cleared from the scene of the first Confederate victory at Big Bethel, onto the battlefield rapidly marched what would become one of the most colorful, daring, and poorly disciplined units of the Army of the Peninsula: Coppens’ Battalion.

While the military at this time was officially against allowing LGBTQ+ identifying people into the military, they also were desperate for more service members. So in some ways, there was a similar mentality to the “don’t ask, don’t tell” policy of the 1990s and 2000s.

Amphorae are terracotta containers used for trade as their unique shape allowed them to fit snugly together in a ship’s hull. Since the Neolithic period, this shape has been in use and migrated to Europe during the first millennium BCE.