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Jeanne Willoz-Egnor

Curator of Maritime History and Culture, Director of the Ifland Center for Exploration

Latest from Jeanne Willoz-Egnor

  • Frames of Destruction

    • Collections
    • Exploration
    • Military
    • Military Conflict
    • Shipbuilding

    During my time at Mariners’ I have frequently been intrigued by an odd looking object in one of our storage areas but time wasn’t always available to learn more about it. That recently changed for one object when I spent several months researching the history behind a piece that has always intrigued me—a large, bent, barbed, piece of iron–the spear of a chevaux-de-frise.

  • With a Zoologist’s Eye

    • Collections
    • Cultural Heritage
    • Exploration

    What happens when a zoologist/biologist applies his powers of observation for studying animals to the study of boats? For Alfred Goldsborough Mayor it meant producing a body of work that has given researchers and museums some of the best historic documentation available on the construction of a variety of Pacific island sailing canoes.

  • An Unnecessary Disaster

    • Collections
    • Exploration
    • Technology

    August 29 marked the 239th anniversary of one of the Royal Navy’s worst and most unnecessary disasters–the capsizing of the 108-gun first rate ship HMS Royal George. When the disaster occurred there were innumerable family members, merchants and other people on board visiting the crew. As a consequence, there were wide discrepancies in the number of reported fatalities.

  • The Pilot Boats of George Steers

    • Collections
    • Technology

    George Steers designed boats that changed the face of naval architecture forever.

  • The Hazards of Bottom Peeping

    • Collections
    • Recreation

    A funny story that occurred on board the Haze, a schooner built by George Steers.

  • It’s a Disaster! The Rollers of 1846

    • Collections

    The islands of Ascension and St. Helena in the South Atlantic are periodically plagued by roller events with rapidly forming waves and catastrophic outcomes.

  • Tattooing…a dead art?

    • Collections
    • Military

    The Museum holds a wonderful collection of materials once used by the world famous Norfolk tattooist August Bernard Coleman, known as Cap Coleman. What was the motivation for acquiring this collection?

  • A Tour Through the Mediterranean with Joseph Partridge

    • Collections
    • Cultural Heritage
    • Exploration

    A recent inquiry from the Assistant Professor of Mediterranean History and Archaeology at New York University’s Institute for the Study of the Ancient World brought a really cool assemblage of watercolors in our collection to my attention. The images were painted by Joseph Partridge, an artist turned Marine stationed aboard USS Warren between 1827 and 1830.

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