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  • Not Your Average Joe

    • Photography
    • Recreation
    • Women's History

    Marion Barbara “Joe” Carstairs would be the first to tell you that she was “never a little girl.” Joe saw a lot of racing success, taking the trophies at several competitions in Southampton and Cannes. In 1925 Joe became “the fastest woman on water” during the Duke of York’s Trophy, a four-and-a-half mile race down the Thames. 

  • The Death of an Attribution

    • Art
    • Collections

    What’s an attribution, you ask? It’s the act of ascribing an artwork to a particular artist (if the painting isn’t signed) or as a depiction of a particular event (if it isn’t specifically identified by the artist). To attribute a painting to an artist one must be very knowledgeable about the artist’s oeuvre. To make an attribution to an event one must be a VERY careful and detail-oriented researcher.

  • Beyond the Frame: Purely His Own

    • Art
    • Cultural Heritage
    • USS Monitor

    Robert Turner Ewell, a Coast Guard Veteran, a Shipbuilder, and a Norfolk, VA native was one who was inspired by the story of USS Monitor. In this episode of Beyond the Frame we'll explore the ways in which USS Monitor's story met aspects of Ewell's life and led him to create a work depicting the Ironclad in a style that is purely his own.

  • Telling a Story: A Documentarian Eye

    • Art
    • Collections
    • Conservation
    • Photography

    Documentary photography is a genre of the medium where the goal is to tell a story through images. The idea is to take photos that, viewed together, can give you a more complete understanding of an event, a person, or even just a location. A do

  • Commander Catesby ap Roger Jones

    • Civil War
    • Military
    • USS Monitor

    Catesby ap Roger Jones was one of the Civil War’s most distinguished and respected ordnance officers. He joined the US Navy in 1836 and served aboard USS Merrimack during its first cruise, joined the Confederate Navy when Virginia left the Union, and commanded CSS Virginia during that ironclad’s fight with USS Monitor. After serving as Virginia’s executive officer through the Battle of Drewry’s Bluff, he was promoted to commander and would eventually be placed in command of the Selma Guns Works, producing much-needed Brooke rifles and shell guns for the Confederate Navy.

  • Beyond The Frame: The Secret Ingredient

    • Art
    • Beyond the Frame
    • Collections

    When you look at Edward William Cooke’s 1856 painting, “Violent Squall on the Adriatic”, it becomes so much more than a painting of a fishing boat, instead it comes to life and plays out like the dramatic climax of a movie.

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