A little over 20 years after its last major treatment, Conquering the Wild was due for a day at the spa.

Much like the way these men work together towards a common goal, color, light, composition, and subject matter work together to create an overall harmonious feeling in the work. This feeling is one of unity, a core principle in art.

A few weeks ago, on a late summer boat ride on the James River, I noticed the outlines of looming grey ships in the distance that I hadn’t seen before. “What are those?” I wondered aloud.

During my time at Mariners’ I have frequently been intrigued by an odd looking object in one of our storage areas but time wasn’t always available to learn more about it. That recently changed for one object when I spent several months researching the history behind a piece that has always intrigued me—a large, bent, barbed, piece of iron–the spear of a chevaux-de-frise.

“Hidden Histories” is a Museum project designed to give names, agency, and interpretation of unidentified African Americans in our Collections through genealogical research and community engagement.

What do a Battleship, 1950, mud, high tides, a Hudson River Ferry, a T-shirt, and a UFO all have in common?

Fear Not! For I have scoured The Mariners’ Collection, walked the dark storage rooms, and gotten up close and personal with five of our creepiest and most mysterious artifacts, so you don’t have to. I’ve listed the following artifacts for their varying levels of creep-factor or for the fascinating or mysterious stories behind them. All jus

“Unidentified Coast Guard Vessel” by Hunter Wood is a 1943 oil on canvas. It was exciting – crisp, and idyllic in an adventurous way, showing the Coast Guard in action. Their clean, well kept boat breaking heroically through the daunting wave, the guardsman on the bow.